RTW23

“READY-TO-MADE” IS A DIRECT APPROPRIATION OF THE WORD “READYMADE” FROM A SERIES OF ARTWORKS DERIVED FROM DADAISM. AN ART MOVEMENT OR IN THIS CASE, “ANTI-ART MOVEMENT”, BY APPLYING THE TECHNIQUE OF READYMADE TO FASHION HOLDS A SIGNIFICANT RELATION TO DECONSTRUCTION, RE-ADAPTING GARMENTS IN A WAY THAT ALMOST MAKES IT SEEMINGLY “NOT-WEARABLEG” BUT IN FACT THEY CAN BE WORN MULTIPLE WAYS, IT IS ENTIRELY UP TO THE WEARER TO INTERPRET THE LOOK, INTERACTIVE, EXPERIMENTAL, AND MOST IMPORTANTLY DIFFERENT EVERYTIME WE PUT IT ON.


THIS COLLECTION EXPLORES THE PLAYFULNESS OF ANTI-FASHION, DELIBRATELY SHIFTING GARMENTS FROM FRONT TO BACK AND VICE VERSA, GARMENTS HAVE TWO NECK HOLES THAT TURNS TO THE SIDE AND BECOMES ANOTHER JACKET (THE MUTATED BOMBER), A BOMBER THAT WAS ANNOYING TO CUT AND CONSTRUCT BUT THE OUTCOME WAS SO UNPREDICTABLE EVEN STYLING IT WAS AN INTERESTING PROCESS, EVERY FASTENING OR “TALI” WAS A “OH! THAT WORKS TOO” MOMENT. THIS COLLECTION ALSO FEATURED WOMENSWEAR, MOST NOTABLY THE SEPRATING JACKET-SKIRT AND THE SEPRATING JACKET-DRESS, THAT NAMES ARE EXACTLY WHAT IT MEANS, JACKETS THAT TURNS TO SKIRT AND DRESS.